The art of deduction: Holmes’ mark on the media
DOI:
https://doi.org/10.15517/h.v2i0.6442Keywords:
sherlock holmes, sir arthur, conan doyle, classics, adaptation, televisionAbstract
The present article has the intention to analyzethe characteristics, relationships and audiovisual representations of famous literary character Sherlock Holmes,created by British writer Sir Arthur Conan Doyle.Taking the classic writings to make relevant compari-sons with the most recent adaptation from British tele-vision, noting that a different perspective can give greatinnovation of ideas, characters and scenarios.Downloads
References
BIBLIOGRAFÍA
Conan Doyle, Arthur. El Problema Final de Sherlock Holmes. Costa Rica: Grupo Nación S.A., 2003.
Conan Doyle, Arthur. El Sabueso de los Baskerville. España: Plutón Ediciones, 2010.
Conan Doyle, Arthur. Estudio en Escarlata (Parte Final). Costa Rica: Grupo Nación S.A., 2005b.
Conan Doyle, Arthur. Estudio en Escarlata (Primer Parte). Costa Rica: Grupo Nación S.A., 2005a.
Conan Doyle, Arthur. Las Aventuras de Sherlock Holmes. España Mestas Ediciones, 2008.
Estébanez, Demetrio. Diccionario de términos literarios. España Alianza Diccionarios, 1996.
Gubern, Román. Máscaras de la ficción. Barcelona: Anagrama, 2002.
Moreno, Rafael. Sherlock Holmes y la Investigación Criminalista. México: Instituto Nacional de Ciencias Penales, 2008.
Sánchez Noriega, José Luis. De la literatura al cine. Teoría y análisis de la adaptación. Barcelona: 2000.
Sebeok, Thomas & Sebeok, Jean U. Sherlock Holmes y Charles S. Pierce: El Método de Investigación. Barcelona: Paidós, 1987.
PÁGINAS WEB
Alemán, Arnovis. “Los Tipos de Planos en Televisión”. Universidad de Córdoba, 2009. Disponible en:
http://www.aves.edu.co/ovaunicor/recursos/1/LOS_TIPOS_DE_PLANOS_EN_TELEVISION.pdf
Díaz, Carlos. “Sherlock Holmes en el cine más allá de Conan Doyle”. Bibliópolis, s.f., Disponible en: http://www.bibliopolis.org/articulo/holmescine.html
HEMEROGRAFÍA
Juanma Ruiz, La lealtad del Traidor. Caimán, Cuadernos de Cine, marzo 2012, N°3 (54). Vásquez, Luis (Director General). Boletín 17: Arthur Conan Doyle. Boletín del Sistema de Orientación de Lectura (SOL), 2010: 1-23.
VIDEOGRAFÍA
Gatiss, Mark & Moffat, Steven (Creadores). Sherlock (Serie de Televisión). Reino Unido: Hartswood Films, color, 90 min., 2010:Hayne, Toby. The Reichenbach Fall (“La Caída del Reichenbach”). Reino Unido: Hartswood Films, color, 90 min., 2012. Episodio 3, II Temporada.
Lyn, Euros. The Blind Banker (“El Banquero Ciego”). Reino Unido: Hartswood Films, color, 90 min., 2010. Episodio 2, I Temporada.
McGuigan, Paul. The Hounds of Baskerville (“Los sabuesos de Villa Basker”). Reino Unido: Hartswood Films, color, 87 min., 2012. Episodio 2, II Temporada.
McGuigan, Paul. The Great Game (“El Gran Juego”). Reino Unido: Hartswood Films, color, 90 min., 2010. Episodio 3, I Temporada.
McGuigan, Paul. A Study in Pink (“Estudio en Rosa”). Reino Unido: Hartswood Films, color, 87 min., 2010. Episodio 1, I Temporada.
McGuigan, Paul. A Scandal in Belgravia (“Un Escándalo en Belgravia”). Reino Unido: Hartswood Films, color, 90 min., 2012.Episodio 1, II Temporada.
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