The Folkloric Tradition In Girish Karnad’s Naga Mandala: Play with a Cobra

Authors

DOI:

https://doi.org/10.15517/qbyh4w85

Keywords:

Indian postcolonial theater, indian folk tales, gender-based violence

Abstract

Postcolonial theater in India has established itself as an artistic expression that addresses a variety of themes. Some postcolonial playwrights have drawn inspiration from traditional folkloric elements. Likewise, Indian theater has developed, in part, as a platform for social and political criticism and protest. Girish Karnad’s Naga-Mandala: Play with a Cobra is a groundbreaking play in terms of its subject matter, the incorporation of folkloric elements, and the way these elements are used to advocate for Indian women.

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Author Biography

  • Tania Valeria Molina Concha, National University of Comahue https://ror.org/02zvkba47, Neuquén, Argentina

    National University of Comahue (UNCOMA) https://ror.org/02zvkba47, Neuquén Capital, Neuquén, Argentina. Master's degree in Contemporary Literatures in English from the National University of Cuyo (UNCUYO), Mendoza City, Mendoza, Argentina (2019). PhD in Letters from the National University of Cuyo (2025), Mendoza City, Mendoza, Argentina. UNCUYO (research trainee in research projects); Postdoctoral Fellow of CONICET (National Scientific and Technical Research Council), IPEHCS, CCT Patagonia Confluencia; Higher Institute of Teacher Training (I.F.D.) No. 4 (teacher in charge of the courses: "Language, Literature and its Didactics" and the "Institutional Definition Space-E.D.I.- of Initial Literacy in Intellectual Disability"); Higher Institute of Teacher Training (I.F.D.) No. 12 (teacher in charge of the chair of «Didactics of Language II- Didactic Athenaeum»).

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Published

2026-08-10

How to Cite

Molina Concha, T. V. (2026). The Folkloric Tradition In Girish Karnad’s Naga Mandala: Play with a Cobra. Káñina, 50(2), 1-28. https://doi.org/10.15517/qbyh4w85