Generic Hybridity and Posture in Nora Sari

Authors

DOI:

https://doi.org/10.15517/rk.v47i3.57724

Keywords:

Fictional autobiography, Story, generic hybridity, scenography, self-image, posture, positioning

Abstract

This article shows that the generic hybridity perceived and proven in the text of Nora Sari was an effect of the stakes of various tendencies of the context of production in the choice of the subject to treat: on one hand, the life of the family and the self-story of the main character of the novel; on the other hand, the historical context prevailing during the period concerning this slice of life. This hybridity reveals a concern for posture in line with the discourses and orientations of the social and literary field within which the novelist seeks to inscribe her place. It also shows a desire to overcome a deep split in the issue of languages ​​in this same field.

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Author Biography

  • Hanène Logbi, Université Frères Mentouri, Constantine, Algérie.

    Université Frères Mentouri, Constantine, Algérie. Maitre de conférences au département de lettes et langue française. 

References

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Sari, N. (2017). Constantine, l’exil et la guerre. Casbah éditions. Alger.

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Published

2023-11-22

Issue

Vol. 47 No. 3 (2023): Káñina (September-December) Continuous publication

Section

Artículos

License

Copyright (c) 2023 Hanène Logbi

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How to Cite

Logbi, H. (2023). Generic Hybridity and Posture in Nora Sari. Káñina, 47(3), 159-174. https://doi.org/10.15517/rk.v47i3.57724