The feeling of incompleteness: a psychoanalytic reading of Los Disparates by Goya
DOI:
https://doi.org/10.15517/43z90m30Keywords:
Francisco de Goya, Los Disparates, Incompleteness, Uprising, EngravingAbstract
This article examines Los Disparates by Francisco de Goya from a historical, aesthetic, and psychoanalytic perspective, focusing on incompleteness as a formal strategy. Through Disparate desordenado, it argues that compositional instability and lack of closure are deliberate gestures against the ideal of totality. In dialogue with Jean Allouch’s notion of sublevación, the series is read as an act of freedom embedded in its structure.
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Fundación Ibercaja. s.f. «Los Disparates [Descripción de la serie]». Museo Goya – Fundación Ibercaja. Consultado el 7 de junio de 2025. https://museogoya.fundacionibercaja.es.
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Allouch, Jean. 1993. La escena lacaniana y el círculo mágico. Unos locos se sublevan. México: Ediciones del Seminario.
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Copyright (c) 2026 Ilan Granados Granados (Autor/a)

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