Jardines del cuerpo que se fragmenta

Abstract

This article will present an analysis on the subject of the fragmentation of the beloved’s body that the lover does in his romantic speech. For this, it will take as a central axis the case of the novel Los Jardines Secretos De Mogador (The Secret Gardens of Mogador) by the Mexican writer Alberto Ruy Sanchez, and it will fundamentally take from the theoretic application that Roland Barthes exposes in A Lover’s Discourse: Fragments, it will also take as starting points some central notions of freudian psychoanalysis, such as the impossibility of completeness and the body as a limit to the subject.