Résumé
En este trabajo se discuten las maneras en que el autor de "The Brother", Robert Coover, se apodera de la forma del cuento con el fin de retar las convenciones teóricas y críticas del género, además de las expectativas y las suposiciones de los lectores en el proceso de construcción de significado.
The following discussion examines the ways in which Robert Coover appropriates the short story form in "The Brother" to challenge not only theoretical and critical conventions of that genre, but also readers' expectations and assumptions in the process of constructing meaning.
Références
Barthes, Roland. 1977. Image-Music-Text. Trans. Stephen Heath. New York: Noonday.
Brown, Suzanne Hunter. 1989. "Discourse Analysis and the Short Story". In: Lohafer and Clarey (eds.), 217-48.
Coover, Robert. 1982. "The Brother". In: Current-Garcia and Patrick (eds.), 636-41.
Culler, Jonathan. 1980. "Literary Competence". In: Tompkins (ed.), 101-18.
Current-Garcia, Eugene and Walton R. Patrick (eds.). 1982. American Short Stories. Glenview, Il: Scott, Foresman.
Fish, Stan ley. 1980. Is There a Text in This Class? Cambridge: Harvard UP.
Iser, Wolfgang. 1980. "The Reading Process: A Phenomenological Approach". In: Tompkins (ed.), 50-69.
Kristeva, Julia. 1986. "Word, Dialogue, and Novel". In: Moi, 34-61.
Leitch, Thomas M. 1989. "The Debunking Rhythm of the American Short Story". In: Lohafer and Clarey (eds.), 130-47.
Lohafer, Susan and Jo Ellen Clarey (eds.). 1989. Short Story Theory at a Crossroads. Baton Rouge: La State UP.
Moi, Toril (ed.). 1986. The Kristeva Reader. NY: Columbia UP.
Rohrberger, Mary. 1989. "Between Shadow and Act: Where Do We 00 from Here?". In: Lohafer and Clarey (eds.), 32-45.
Scholes, Robert. 1989. Protocols of Reading. New Haven: Yale UP.
Tompkin , Jane (ed.). 1980. Reader-Response Criticismo Baltimore: Johns Hopkins UP.
Wright, Austin. 1989. "On Redefining the Short Story: The Genre Question". In: Lohafer and Clarey (eds.), 46-53.