Abstract
In narratives about AIDS, the important voice is not women´s. Here I am interested in reading those voices in the echoes of their forces. This writing focuses on the aesthetic proposal of the artist Liliana Maresca (1951-1994) and read it in relation to those other women (the writer, Marta Dillon and the protographer, Gabriela Liffschitz -1963-2003-). In this essay, I am interested in analyzing how they construct ways of experiencing the body and disease and how they activate new forms of survival.