Sonoric Practices of the Indigenous People from Costa Rica and their influence in the XX and XXI Century’s Costa Rican Academic Music: to a Historiography of the Sonoric Imagery (1986-2016)

Abstract

This historiographic article intends to expose how the history of the sound practices of the Costa Rican aboriginal communities have been told, in the period between 1986 and 2016. The questions that originated this study seek to unravel, in addition, the influence that the primitive cultures have exerted in contemporary academic creation, while Costa Rican composers have taken inputs from their sociocultural traditions to conceive their own works.