Transfeminities: the Queer Scream and the Affective Performativity

Abstract

Based on a cuir methodology, with c, in the following paper I reflect on the aesthetics of the queer body and the expressive potential of the affections from the work and music of three Mexican trans artists. The sound imaginary from where they build their musical projects, allows me to reflect on the affections and sensibilities that came into constant dialogue and negotiation. The aesthetic excess show in their performances evoke an artistic and epistemological dialogue where the symbolic, the authentic and the vernacular coexist.