Abstract
Today the artistic portrait and feminism transgress social barriers, they use theory and practice to make proposals in order to deconstruct norms and customs, based on the needs of their space and time. Thus, the works carried out under this perspective in the 21st century seek to break the paradigms and make visible the androcentric, Eurocentric and obsolete impositions. Therefore, this work uses the analysis of the image through the notion of the mirror related to theoretical works of two paintings made by contemporary Mexican artists. It seeks to reflect through theoretical bases on how these works make visible the environment as a reflection of the society to which they belong. Finally, is questioned the effects of the conceived by feminine portrait and feminism.