Territory and Walk: Un/embroidery Artistic Practices from the Displacement of Indigenous Communities

Abstract

This work is a kind of dissection from one's own experience in the context of contemporary art, education and the experiences of displacement and migration of the Mazahua / Jñatrjo community, originally from the State of Mexico to Mexico City. Placing it as a reflection from a sense of conflict and tension between at least three different contexts that make up me: that of artistic practice and the indigenous community relationship and the artistic education.