ESCENA. Revista de las artes ISSN electrónico: 2215-4906

OAI: https://revistas.ucr.ac.cr/index.php/escena/oai
Songlines - soundwalks as a space for memory: Panama City’s Tramway
Fondo blanco con una estampa pequeña en el centro que contiene la torre de un edificio dibujado a carboncillo. Un brochazo atraviesa el centro de la imagen.
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Keywords

sound
listening
urban spaces
Panama
communities
sonido
escucha
Panamá
comunidad
espacio urbano

How to Cite

Alzamora Rivera, M. (2021). Songlines - soundwalks as a space for memory: Panama City’s Tramway. ESCENA. Revista De Las Artes, 81(1), 344–368. Retrieved from https://revistas.ucr.ac.cr/index.php/escena/article/view/47650

Abstract

During the last decades, soundwalks have constituted an aesthetic practice used to get to know a territory culturally. Cities are fascinating settings and their landscapes provide us with a connection that opens a door to sociocultural and political secrets. For years, I have dedicated my artistic research to the interweaving between the city, sound and memory. In this article, I will share my sounding experience while walking on the vanished tramway in Panama City. From these soundwalks, I have determined that each city, as people, has a type of deep scar; they become routes or songlines, which move us without noticing it. What happens to memories when we face the changes in cities? "Songline" is the search for my family heritage mapping the sonic complexities of the tramway.

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