ESCENA. Revista de las artes ISSN electrónico: 2215-4906

OAI: https://revistas.ucr.ac.cr/index.php/escena/oai
Development of New Sustainable Pictorial Techniques
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Keywords

art materials
tempera painting
water techniques
ecological research
sustainable development
materiales artísticos
pintura al temple
técnicas al agua
investigación ecológica
desarrollo sostenible

How to Cite

Galbis Juan, A. (2024). Development of New Sustainable Pictorial Techniques: Aesthetic and Processual Contributions. ESCENA. Revista De Las Artes, 83(2), 106–139. https://doi.org/10.15517/es.v83i2.54809

Abstract

Introduction: From the Universitat Politècnica de València, thanks to the progress and perseverance in the research of alternative formulas, some paints favor eco-sustainability. Objective: This article analyzes the main advances and contributions made by this line of research, observing its performance in pictorial practice. Methods: Parallel to the study and formulation we have, it has been testing the usefulness and suitability of these binders in the creation of plastic work through various experimental tests. Results: Based on the generational ramification of the tempera pictorial technique, focused in a pioneering way on binding emulsions of semi-synthetic composition and handling of hydrophilic-lipophilic balance (BHL), its benefits and processual characteristics will be shown. Conclusions: The operational and creative possibilities of these emulsion tempers offer a renewal of plastic languages, expressive diversity, and procedural advantages. With the utmost commitment, an ethical and aesthetic performance of the materials, the quality of the processes is promoted, and the specificity of this knowledge is vindicated.

https://doi.org/10.15517/es.v83i2.54809
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EPUB (Español (España))
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References

Collado, C., & Galbis, A. (2002). Emulgentes sintéticos en la pintura artística. Nuevo temple óleo-resinoso estable [ponencia]. XIV Congreso de Conservación y Restauración de Bienes Culturales. Ayuntamiento de Valladolid, España.

Collado, C., & Galbis, A. (2003). Pintura al temple óleo-resinoso estable F05. Incorporación de nuevos emulgentes sintéticos en la pintura artística. Restauración & Rehabilitación, 72, 70-75. http://revistaryr.webs.upv.es/pdf/RyR_72_70-75.pdf

Collado, C., & Galbis, A. (2006). Nuevas aplicaciones tecnológicas en pinturas al temple óleo-resinoso estable [ponencia]. 16th International Meeting on Heritage Conservation. Preprints Of the Papers to The Valencia Congress. Ayuntamiento de Valencia, España.

Collado, C., & Galbis, A. (2010). Nuevas emulsiones y medios aglutinantes para pintura artística. Revista de Bellas Artes. Revista de Artes Plásticas, Estética, Diseño e Imagen, 8, 15-32. https://riull.ull.es/xmlui/bitstream/handle/915/11971/BA_8_%282010%29_01.pdf?sequence=1&isAllowed=y

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Paruta, P., Pucino, M., & Boucher, J. Environmental Action (2022). Plastic Paints the Environment. https://www.e-a.earth/wp-content/uploads/2023/07/plastic-paint-the-environment.pdf

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Thompson, D. V. (1956). The Materials and Techniques of Medieval Painting. Dover.

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Copyright (c) 2024 Amparo Galbis Juan

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