ESCENA. Revista de las artes ISSN electrónico: 2215-4906

OAI: https://revistas.ucr.ac.cr/index.php/escena/oai
Process of Creation of the Transmedia Artistic Event Migrāre
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Keywords

sistematización
colectividad
espacio alternativo
arte escénico
intermedialidad
systematization
collectivity
alternative space
performing arts
intermediality

How to Cite

Rojas Amador, P. (2024). Process of Creation of the Transmedia Artistic Event Migrāre: From the Abstract to the Concrete. ESCENA. Revista De Las Artes, 84(1), 264–290. https://doi.org/10.15517/es.v84i1.56323

Abstract

Introduction: This text is a reflective account of a stage experience developed in the year 2021, which presents the purposes, dynamics, points of convergence, as well as the results of a collective and sensitive journey that arises from three key ideas: personal migration, transmediality, and the appropriation of space. Development: Three moments are key in this journey: preparing for the trip, uncertainty, and sensitive listening. The first moment rests on the preliminary theoretical-methodological and logistical approaches; the second moment on the creation and evolution of the material, points of contact between the various areas involved, and the last moment on the meaning and global construction of the various materials as an experience of movement, decisions, and human contact. Conclusion: The scenic material created in its various formats and the creation process are shared through the website, videos, graphic images, sound stories in QR, evidencing the experience of migration from transmediality and artistic practice.

https://doi.org/10.15517/es.v84i1.56323
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EPUB (Español (España))
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Copyright (c) 2024 Paula Rojas Amador

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