Abstract
This paper explore the possibility of a critical philosophy of the cultural techniques developed by the image, stated in the work of Austrian Thomas Macho. The fundamental power of images lies in their ability to shape the future. The critical political value of the philosophy of culture and philosophical anthropology are renewed, through this interpretation of the power of the image, in the context of cultural processes that give rise to a dispute for the future which decisively affects the transforming capacity of our societies.Comments
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