Overlapping narratives, conflicting memories: rethinking the historic center of Managua

Authors

  • David José Rocha Cortez Universidad Centroamericana “José Simeón Cañas”, El Salvador Author

DOI:

https://doi.org/10.15517/ra.v12i1.52198

Keywords:

Historical center, Managua, memories

Abstract

The different elite groups of the country have used the historic center of Managua as a territory to print and superimpose their narratives, at the same time it has served as a scene of conflict between the dominant memories. The present work takes as a starting point the reading of this urban center as a document of memories. It stops at the analysis of some spaces that make up said center and places them in three temporalities: the Sandinista Popular Revolution and the rupture of the Somocista temporality, 1979 onwards; the end of the revolutionary period and the entrance to neoliberalism, 1990 onwards; the return of the Sandinista government as of 2007. You wonder what narratives the government elites projected on the historic center of the city of Managua? Who were and are its actors? What actions did they launch and how are such actions inscribed in the place, materializing and legitimizing their narratives about said space? Through what sociopolitical processes did other actors break with this narrative?

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Author Biography

  • David José Rocha Cortez, Universidad Centroamericana “José Simeón Cañas”, El Salvador

    Theater critic and cultural researcher. Professor of the Department of Communications and Culture of the José Simeón Cañas Central American University, coordinator of the School of Spectators of the Luis Poma Theater. Master's Degree in Cultural Studies from the IHNCA/UCA (Managua, Nicaragua. 2016) and Bachelor of Theater Art with a specialty in Theaterology from the Higher Institute of Art in Havana, Cuba (2013). His academic texts and theater reviews have been published in print and digital media in Cuba, Nicaragua, El Salvador, Costa Rica, Mexico, and Argentina. In 2019 he published the narrative and essay book Crónicas de la Ciudad: Cochones, lirismos, memorias by SOMA Fondo Editorial. Published books: Crónicas de la ciudad (SOMA, 2019), Convergencias: a look at Roberto Salomón's theatrical poetics (Índole editors, 2021), Cartography of spaces on the run: Managua 1968-1975 (Anamá editions, 2022).

References

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Halftermeyer, G. (1946). Managua a través de la historia (1846-1946). Hospicio San Juan de Dios.

Instituto de Historia de Nicaragua y Centroamérica [IHNCA-UCA]. (1941). Liliam Somoza coronada Reina I de la Guardia Nacional. Universidad centroamericana.

Instituto de Historia de Nicaragua y Centroamérica [IHNCA-UCA]. (ca. 1990). Fuente bailarina. Universidad centroamericana.

Managua recupera su centro histórico. (2007). La Voz del Sandinismo. http://www.lavozdelsandinismo.com/cultura/2007-06-06/managua-recupera-su-centro-historico/

Meiselas, S. (1979). Revolucionarios entrando a la Plaza de la República [Fotografía]. Archivo IHNCA-UCA.

Nora, P. (1984). Introducciones a Les Lieux de Mémoire. Gallimard.

Ortega Saavedra, H. (2004). La epopeya de la insurrección. Grupo Editorial LEA.

Sánchez Ramírez, R. (2008). El Recuerdo de Managua en la memoria de un poblano. PAVSA.

Vanini, M. (2012). Memoria e Imagen: Políticas públicas de la memoria en Nicaragua. Revista de Historia, (28).

Published

2022-12-05

How to Cite

Overlapping narratives, conflicting memories: rethinking the historic center of Managua. (2022). Revistarquis, 12(1), 168-180. https://doi.org/10.15517/ra.v12i1.52198