Corrupted Utopias

Abstract

This paper presents an exercise of the power study and its corrupted dynamics throughout the theoretical and plastic development of an artistic, personal homonymous proposal which was exposed to “La Escuela Casa del Artista” (School House of the Artist). The Utopia is represented as a discussion tool which exhibits the political and social vision of an architect as well as the critic of certain contextual political phenomenon. A better world seems to be the universal shared vision. On the contrary, it is adhered to the subjectivity and perception of its agents. The perfection of the planet is the problem of the intolerant through any other proposal or approach. Sexual violence, immigrants abuse, ethical cleanliness among other atrocities constitutes an endless and incompatible list with an idyllic state of perfection, clearly unreachable. The interdisciplinary study of diverse sources of reference as cinematographic, literary among other forms an integral part of the artistic discourse construction. Setting out the artistic experience as a window of the human condition, creating an alternative dialogue space.