Keywords
cinema
Estética
Ser
vida
muerte
Hermeneutics
Being
life
death
cinema
Aesthetics
How to Cite
Abstract
The essay below is a hermeneutical reflection that seeks to reach interpretations about the symbolic meaning manifest in the film “The Seventh Seal” by filmmaker Ingmar Bergman. There is no intention to impose a single interpretation, but rather a way of seeing cinema as a piece of art that provides aesthetic and philosophical references. The intention as well is to recognize the point of awareness in which we immerse ourselves when watching this film in relation to the experience of our own realities.
References
Abraham Zunino, Pablo Enrique. 2020. El laberinto de la imagen. Editorial Teseo.
Alvarado Duque, Carlos Fernando. 2017. Filosofía y cine, de Friedrich Nietzche a David Lynch. Editorial Teseo
Gadamer, Hangs Georg. 1977. Verdad y Método I. Fundamentos de una hermenéutica filosófica. Traducido por Ana Agud Aparicio y Rafael de Agapito. Salamanca: Sígueme, 1977 (12ª reimpr. 2012).
Puigdoménech López, Jordi. 1998. Ingmar Bergman:¿Cineasta de la burguesía?. Filmhistoria online, 8(1), 75-87.
Posadas, Enrique. 2012. El Septimo sello en El espectador imaginario. https://www.elespectadorimaginario.com/el-septimo-sello/
Steene, Birgitta. 2005. Ingmar Bergman: A reference guide. Amsterdam University Press.
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