Abstract
By means of a narratological exercise established through the reading of Beloved and Medea, this article seeks to understand the mechanisms that form tragedy as a literary genre, to analyze how fiction could constitute a resource for symbolic reparation of the agency of systematically marginalized communities, by virtue of the use of revenge as a device of vindication.
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This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Copyright (c) 2022 Fabián Perea
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