La fragmentación espacio-temporal y el discurso carnavalesco en la novela El más violento paraíso de Alexander Obando.

Abstract

This Article examines the innovative Costa Rican novel from the text of Alexander Obando: El más violento paraíso. First, it makes an approximation to the time-space coordinates of the novel, from the theoretic speech of Latin American postmodernism. Second, we analyze the carnival sense construction of the literary text, to set the proposal which is present in the novel.