Cuadernos Inter.c.a.mbio sobre Centroamérica y el Caribe ISSN Impreso: 1659-0139 ISSN electrónico: 1659-4940

OAI: https://revistas.ucr.ac.cr/index.php/intercambio/oai
Fidel Castro, Hero in Havana. Approaching to a Photography at The Columbia Barracks (January 8, 1959)
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Keywords

Fidel Castro
Cuban Revolution
photography
iconology
history
Fidel Castro
Revolución Cubana
Fotografía
Iconología
Historia
Fidel Castro
Revolução cubana
fotografia
iconologia
história

How to Cite

Camacho Navarro, E. (2021). Fidel Castro, Hero in Havana. Approaching to a Photography at The Columbia Barracks (January 8, 1959). Cuadernos Inter.c.a.Mbio Sobre Centroamérica Y El Caribe, 18(1), e45888. https://doi.org/10.15517/c.a.v18i1.45888

Abstract

*The author extends a thank you to the Programa de Apoyos para la Superación del Personal Académico (PASPA) of the Dirección General de Asuntos del Personal Académico (DGAPA) from the Universidad Nacional Autónoma de México (UNAM), for its support to the research process through Project IN400920 PAPIIT: Imágenes y poder en América Latina. La Revolución cubana como modelo de construcción épica.

The purpose of this text is to examine a photographic capture taken of  Fidel Castro on January 8, 1959 at the Columbia Barracks. On that day, the revolutionary leader arrived in Havana, one week after the departure of the dictator Fulgencio Batista (January 1st of the same year). After descending from the famous Sierra Maestra, the guerrilla leader began a land journey across the island, from Santiago de Cuba to the capital. The date of that January 8 is highlighted, given that on September 14 of the same year another outstanding act also took place. On this second date, Castro would formalize the conversion of the military building into an educational center, which would be called Ciudad Escolar Libertad. In addition, the Columbia Barracks is also mentioned spoken of with precision, given that same day many other outstanding photographs were also taken, as happened during the speech delivered by Fidel himselfat the Presidential Palace. As a hypothetical premise, it is argued that that  photograph contains a historical and visual potential that has been little attended to, and that such acircumstance of neglect prevents the expansion of the historical knowledge that some iconographic vestiges offer -such as that of that image that will be carefully analyzed in this text- - for a better understanding of the Cuban and Latin Americanreality.

https://doi.org/10.15517/c.a..v18i1.45888
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