Káñina ISSN Impreso: 0378-0473 ISSN electrónico: 2215-2636

OAI: https://revistas.ucr.ac.cr/index.php/kanina/oai
Relational aesthetics, processual writing and poetic event in the poem “La nave” of Tomás Harris
Pintura de Vincent Van Gogh
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Keywords

relational aesthetics
processual writing
poetic event
ecfrasis
Tomás Harris
estética relacional
escritura procesual
acontecimiento poético
écfrasis
Tomás Harris

How to Cite

Espinaza Solar, R. (2020). Relational aesthetics, processual writing and poetic event in the poem “La nave” of Tomás Harris. Káñina, 44(3), 97–121. https://doi.org/10.15517/rk.v44i3.45070

Abstract

From the relationships between subject, city and poetry, this article explores some dimensions of the poetry of Tomás Harris in order to make a critical reading of the poem "La nave", published in the Crónicas maravillosas (1997) and Noche de brujas y otros hechos de sangre (2012). For this purpose, is initially specified a critical dimension of Tomás Harris's poetry as both relational aesthetic and process writing, and then proposes a conceptual displacement regarding the figuration of the poetic subject from the flâneur of modernity towards the trafficker of South American postmodernity. In this way, it is intended to specify the originality of the writing of Thomas Harris as a poetic event, in addition to evidencing the presence of an ecfrasis trafficker as a rhetorical quality for conceptualization and ultimate understanding of the poem.

https://doi.org/10.15517/rk.v44i3.45070
PDF (Español (España))

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