Abstract
That article tries to find a view around the problematic of vision in the cultural studies. It deals with the prohibited voyeur vision, which is in the basic origins of the cinematographic and fictional works. In addition, the article approaches the absence of glance of the actor to the camera which in turn tends to get complex for different audiences mainly, in the typical televising programs of the neotelevision. A good example of this neo-tv is the reality shows.Comments
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