Abstract
This article studies the construction of the Christmas theater season in the Greater Metropolitan Area of Costa Rica. This season arises from the decision of the National Theater of Costa Rica to present the ballet "The Nutcracker and the King of Mice." The effect that such a decision had on the Costa Rican culture landscape became in initiatives that consolidate a market for the Christmas theater season by the second decade of the 21st century. The sources used were the minutes of the National Theater Directing Council, newspapers and social networks.