Articulations between kitsch and camp

Abstract

The main purpose of this article is to present a synthesis of the main theoretical discussions regarding the presence of the kitsch object in mass culture and cultural industry and its place within camp aesthetics. First, it will include an interpretation of the theoretical principles that have guided the discussions. Second, it will consider the similitudes and differences between Kitsch and camp. Finally, a third objective will be to discuss the relevance of Camp aesthetics in contemporary mass culture.