Vol. 85 No. 1 (2025): July - December | ESCENA. Revista de las artes

Artículos

Between Prestige and Marginality: the III Biennial of Sculpture of the Cervecería Costa Rica

Nicolás Alpízar Valverde (Author)

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Contemporary Art and National Identity: Reflections Based on the Work of the Costa Rican Artist Pedro Arrieta

Jos´é Daniel Jiménez Bolaños (Author)

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Machinic Configurations in Latin American Contemporary Art: Uselessness, Inefficiency and New Ontologies of Artwork-Machines

Jazmín Adler (Author)

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The Colonial Imaginary of the Plantation Economy in the Visual Arts of the Contemporary Caribbean

Laritza Suárez del Villar (Author)

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Documentary Narratives with ‘Afro’ Themes in Central America and the Caribbean

Ana Eugenia Tona Castellanos, Esteban Richmond Umaña, Amanda Alfaro C´órdoba (Author)

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A Historical Look at Cuban Cinema Today: the Image that Is Constructed (2016-2024)

Antonio Álvarez Pitaluga (Author)

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Aesthetics and Social Struggle in the Narrative of Ramón Amaya Amador

Ivannia Barboza-Leitón (Author)

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Anthropology of Music: Contributions of the Academic Production in Costa Rica

Jessica Dixiana Álvarez López (Author)

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Intervening Tango: Voices and Practices of Women and Dissidents in the Tango Scene of Buenos Aires, Argentina

Sofía Cecconi, Magdalena Felice (Author)

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Music and Cultural Diplomacy during the Porfiriato: The 8th Cavalry Regiment Band from Morelia, Mexico, in the Celebrations of the IV Centenary of the Discovery of America in Spain (1892)

Rolando Vidal García Calderas (Author)

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Power Scenes in Four Theatrical Acts in Olmec Art from San Lorenzo Tenochtitlan, Veracruz, Mexico

Rubén B. Morante López (Author)

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Academic reflections

Primitivism in Art: The Voyage of a Eurocentric Concept

Luis Pulido Ritter (Author)

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Specters and Corpses: Methodological Considerations on Central American Art from the Perspective of Oral History and the Archive

Sofía Vindas Solano (Author)

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Artworks

Fresh Fruit or Still-life Lies

Julián Garzón Vélez (Author)

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Interview with Michael Finseth: Performance in the TV Show Mil oficios

Jesús Miguel Delgado Del Aguila (Author)

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Vol. 85 No. 1 (2025): July - December

Artículos

Between Prestige and Marginality: the III Biennial of Sculpture of the Cervecería Costa Rica

Contemporary Art and National Identity: Reflections Based on the Work of the Costa Rican Artist Pedro Arrieta

Machinic Configurations in Latin American Contemporary Art: Uselessness, Inefficiency and New Ontologies of Artwork-Machines

The Colonial Imaginary of the Plantation Economy in the Visual Arts of the Contemporary Caribbean

Documentary Narratives with ‘Afro’ Themes in Central America and the Caribbean

A Historical Look at Cuban Cinema Today: the Image that Is Constructed (2016-2024)

Aesthetics and Social Struggle in the Narrative of Ramón Amaya Amador

Anthropology of Music: Contributions of the Academic Production in Costa Rica

Intervening Tango: Voices and Practices of Women and Dissidents in the Tango Scene of Buenos Aires, Argentina

Music and Cultural Diplomacy during the Porfiriato: The 8th Cavalry Regiment Band from Morelia, Mexico, in the Celebrations of the IV Centenary of the Discovery of America in Spain (1892)

Power Scenes in Four Theatrical Acts in Olmec Art from San Lorenzo Tenochtitlan, Veracruz, Mexico

Academic reflections

Primitivism in Art: The Voyage of a Eurocentric Concept

Specters and Corpses: Methodological Considerations on Central American Art from the Perspective of Oral History and the Archive

Artworks

Fresh Fruit or Still-life Lies

Interview with Michael Finseth: Performance in the TV Show Mil oficios

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